Introduction to counterpoint
- 11a reimp. ed.
- London : Oxford Univesity, 1979
- 54 p. ; 21,5 cm.
Introduction -- 1- Note against note; rules of melodic and harmonic progression -- 2- Two notes to one; unaccented passing notes; auxiliary note; subsidiary notes; accented passing and auxiliary notes; diatonic and chromatic -- 3- Three, four, six and eigth notes to one; types of pattern commonly employed; changing notes -- 4- Tied notes and suspensions -- 5- Suspensions (continued); delayed and ornamental resolutions; combination of movement in the added part with suspensions in the C.F. -- 6- Mixed rhythm (or Fith Species). Additional figures employeed in this species; transformation of first species intro fifth by melodic decoration -- 7- Combination of two parts in Fifth Species; choice of methods available -- 8- Three-part counterpoint, note against note, with or withhout the use of passaing notes; doubling or omission of notes from a three-part chord -- 9- Combined counterpoint in three parts; first, second and third apecies; first, third and fourth apecies -- 10- Addition of two free parts in free thythm, with or without imitation -- 11- Four-part counterpoint; recapitulation of Chaters VIII, IX and XI, with the addition of fourth part