000			01397nam a2200229 a 4500
003			AR-LpUFA
005			20250225130431.0
008			230201s1990 ag r 000 0 eng d
020			_a0028705513
024	8		_aDAR-M6941 _b8019 _zDAR006707
040			_aAR-LpUFA _bspa _cAR-LpUFA
080			_a781.41
245	0	0	_aTrends in Schenkerian research
260			_aNew York : _b Schirmer Books, _c1990
300			_a168 p. ; _c21 cm.
505	0		_a Contents -- Contributors -- 1- Form and Tonal Process: The Edesing of Different Structural levels. -- Allen Cadwallader -- 2- The Compositional Use of Register in Three Piano Sonatas by Mozart -- David Gagné -- 3- Vaioce Leadding and Meter: An Unusual Mozart Autogrph -- Larry Laskowski -- 4- Talent and Technique: Geoge Gershwint's Rhapsody in Blue -- Arthur Maisel -- 5-The Development of the Ursatz in Shenker's Published Works -- William Rothstein -- 6-Rhythmic Displacement and Rhythmicic Normalization -- William Pastille -- 7- Hidden Uses of Chorale Melodies in Bach's Cantatas -- David Stern -- 8- Illusory Candences and Apparent Tonics: The Effect of Motivic Enlargement Uon -- Phrase Structure -- Eric Wen -- 9- Handel's Borrowings from Telemann: An Analytical View -- Channan Willner
650		4	_aTeoría de la música
650		4	_aArmonía
650		4	_aMúsica
700	1		_aCadwallader, Allen, _eed.
942			_cBK
999			_c27949 _d27949